Distinguished Alumni Award


Marian Rees 51BA

1988 Achievement Award

Marian Rees, 51BA, personifies a rare Hollywood success story: not the beauty-discovered-in-malt-shop myth, but the hard-earned success of an intelligent, competent, and motivated woman who worked her way up from receptionist to award-winning producer in an industry not that conscientious about providing executive opportunities for women.

Marian Rees credits her Iowa upbringing in a family that stressed social activism for a large part of her barriers-breaking style as a producer. She was born in Le Mars, Iowa, and graduated as valedictorian of her high school class in Carroll. While a sociology major at the University of Iowa, she was president of the Freshman Women's Council and a drummer in the Scottish Highlanders.

Rees landed a job as receptionist with NBC in Hollywood a year after graduation. That began a decade of rapid promotions—production secretary for "The Dennis Day Show," production assistant with "Lux Video Theatre," and assistant to the producer of "The Frank Sinatra Series."

Her big break arrived in 1959, when she was named associate producer for Bud Yorkin on "An Evening with Fred Astaire." That live NBC special garnered 11 Emmy Awards and resulted in Rees's 15-year association with Yorkin and his partner Norman Lear at Tandem Productions. As vice-president and production executive, she contributed to the entire first season of "All in the Family," the pilot for "Sanford and Son," and numerous features and specials.

In 1973, she became executive in charge of development for Tomorrow Entertainment, which produced the Emmy sweeper The Autobiography of Miss Jane Pittman. The television groundbreaking of that film would become Marian Rees's trademark. During her stint with Tomorrow Entertainment, she helped produce Tell Me Where It Hurts, the first TV movie to examine women's consciousness raising groups. For EMI Television in 1976, she conceived and produced the docu-dramas Orphan Train, about 19th century homeless children, and One in a Million: The Ron Le Flore Story, about the black, ex-convict baseball star.

While vice-president at NRW Company Features Division, Rees was executive producer of The Marva Collins Story, a movie portraying the nationally acclaimed educator's work with inner-city students. It was the first of six Hallmark Hall of Fame Presentations she has produced, five of them—Love Is Never Silent, The Resting Place, The Room Upstairs, Foxfire, and the upcoming Home Fires Burning—through her independent company, Marian Rees Associates, established in 1981. Another Rees film, Little Girl Lost, aired in April on ABC.

Though her programs generally address some social concern, none has done so more poignantly than Love Is Never Silent, starring Mare Winningham as the hearing daughter of deaf parents. A forerunner to Children of a Lesser God in its casting of deaf actors, Love is Never Silent won Emmys for Best Comedy/Drama Special and Outstanding Directing in a Miniseries or Special.

In her most admirable way, Rees is still beating the odds in the board rooms of Hollywood. Among many professional and civic affiliations, she has been a presiding officer for both the Academy of Television Arts and Sciences and the Gwen Bolden Foundation, an organization that offers a supplemental education program for disadvantaged youths at risk. And, when all three major networks spurned her film Between Friends, presumably because it was about women in their 50s, Rees fought until she got it aired on HBO.

Considering that film's subsequent good reviews, high ratings, and ACE Cable Award, television's moguls might want to take more cues from Iowa's Marian Rees.


About Distinguished Alumni Awards

Since 1963, the University of Iowa has annually recognized accomplished alumni and friends with Distinguished Alumni Awards. Awards are presented in seven categories: Achievement, Service, Hickerson Recognition, Faculty, Staff, Recent Graduate, and Friend of the University.


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The Krause Essay Prize and its $10,000 award is presented annually by a unique panel of judges: UI graduate students. Photo: Tim Schoon/UI Office of Strategic Communication Students in the University of Iowa Nonfiction Writing Program's graduate seminar dug into their weekly reading assignments with particular enthusiasm this past spring?and for good reason. By the end of the semester, they were tasked with selecting the best of the bunch for a prestigious award on behalf of a university known for its literary tradition. This marks the 12th year that nonfiction graduate students served as judges for the newly renamed Krause Essay Prize, a national award presented to an essayist who pushes the boundaries of the genre through experimentation, exploration, and discovery. Thought to be the only national literary honor selected by students, the prize is accompanied by a $10,000 award for the first time this year thanks to a new partnership between the UI Nonfiction Writing Program and the Kyle J. and Sharon Krause Family Foundation. Shawn Wen, winner of the 2018 Krause Essay Prize, is the author of A Twenty Minute Silence Followed by Applause. Her writing has appeared in The New Inquiry, Seneca Review, Iowa Review, White Review, and the anthology City by City: Dispatches from the American Metropolis. This year's Krause Essay Prize recipient is Shawn Wen, a San Francisco-based multimedia artist and the author of A Twenty Minute Silence Followed by Applause (Sarabande Books, 2017), a book-length essay on the life of French mime Marcel Marceau. Wen, whom students selected from a pool of 14 nominees, accepted her award at a ceremony in September in the Old Capitol Senate Chamber. Nicol?s Medina Mora Perez, a third-year MFA student from Mexico City, was among the prize judges in the spring seminar taught by author and Nonfiction Writing Program director John D'Agata (98MFA). Perez said that beyond discussing the merits of the nominated essays each week, class conversations revolved around how they define essay writing and the type of nonfiction they wanted to champion as representatives of the UI. By serving as judges, Perez says, students had the opportunity to read a broad selection of contemporary nonfiction that they may not have otherwise sought out. "By the end of the semester I had a clearer idea of the sort of work that people are publishing today, which includes stuff that I'd like to imitate and stuff that I'd rather not," Perez says. "I guess it's a bit like watching the World Cup with your soccer teammates: You see moves that you think are cool and want to steal for your own gameplay, but you also notice pitfalls that you should learn to avoid." Wen says she's been "over the moon" since learning she was selected as this year's Krause Essay Prize winner. A producer for Youth Radio in Oakland, California, Wen says discovering essay writing "was very much like falling in love" and has long admired the UI's approach to the genre. "When I started writing essays, I felt like all these dusty windows in my brain were opened, letting in light and fresh air," she says. "It's incredibly meaningful to me that my writing has been recognized by this program and its students." D'Agata dreamed up the prize in 2007 as a way to introduce his students to high-caliber essay writing and the many forms it can take. The professor asked colleagues from around the country to recommend their favorite essays from the past year, which he then compiled into a reading list for his seminar. As an added twist, D'Agata noted that submissions could be from any medium?including radio and film?as long as they were "essayistic." To give class discussions a sense of consequence, D'Agata had students evaluate each piece at the end of the semester and select a single award winner. Author Aaron Kunin received the inaugural Essay Prize, as the award was previously known, and it soon became an annual tradition. D'Agata's seminar students spend the semester dissecting the pieces, giving presentations, and writing critiques for the The Essay Review, the Nonfiction Writing Program's national magazine. Over the years, the class has crowned winners as varied as poet?Claudia Rankine, science writer Oliver Sacks, performance artist Sophie Calle, and the producers of Radio Lab. A current group of 14 writers and artists from around the nation serve as the nominating committee, includes luminaries like Roxane Gay, Leslie Jamison (06MFA), and Kiese Laymon. "In the U.S. we do a great job teaching students about the powers and pleasures of reading and writing?poetry and fiction, but not so much with essays," says D'Agata, who in 2016 published an anthology titled The Making of the American Essay. "Essays are often an afterthought in literature classes in America." In 2017, the Kyle J. and Sharon Krause Family Foundation made a $500,000 donation to bolster the endowment of the UI Nonfiction Writing Program?the largest gift in the distinguished program's history. Founded in 1976, the Nonfiction Writing Program, a graduate program within the Department of English, is regularly ranked among the best in the nation and has launched the careers of alumni who have gone on to write for magazines like the New Yorker, Rolling Stone and Harper's. "The Krause Foundation is about giving back and giving forward," says Elliott Krause (14MFA), a Nonfiction Writing Program alumnus who now works at the Wall Street Journal. "Helping fund the Essay Prize is a rare chance to do both. Eleven Krauses and counting have graduated from the University of Iowa; the Krause Essay Prize is a way to both express our gratitude for all Iowa has given us and be a champion for the arts." The support from the Krause family has not only allowed the program to award a cash prize for the first time, but also to invite winners to campus to present their essays and spend time with students and faculty. When Wen visited in late September, she taught a series of master classes for nonfiction students. D'Agata says that the foundation's support further legitimizes the idea of a student-driven award and its importance to the literary world. "It's also helping to bring attention to the entire genre," D'Agata says. "There are a lot of awards out there for works of fiction and poetry, but very few awards for essays. This award is saying, 'essays are awesome.' If you're an essayist, you don't hear that very?often. The Krause Foundation is helping to fix that." Krause Essay Prize Winners The UI Nonfiction Writing Program has awarded a national essay-writing prize annually since 2007. With support from the Kyle J. and Sharon Krause Family Foundation, the award was renamed the Krause Essay Prize this year. For more on the prize, visit krauseessayprize.org. 2018: Shawn Wen, A Twenty Minute Silence Followed by Applause 2017: Peter Middleton and James Spinney, Notes on Blindness 2016: Oliver Sacks, Gratitude 2015: Claudia Rankine, Citizen 2014: Sophie Calle, The Address Book 2013: David Rakoff, Waiting 2012: Lauren Redniss, Radioactive 2011: Judith Schalansky, Atlas of Remote Islands 2010: Jad Abumrad and Robert Krulwich, New Normal? 2009: Mary Ruefle, The Most of It 2008: Joshua Raskin, I Met the Walrus 2007: Aaron Kunin, Secret Architecture

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